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Throughout Blow Up, Hemmings' character (Robert?) is always immersed in the imagination of his own reality. The film has him having trouble, by the end, distinguishing what is real and what is imagined. The scene with Redgrave and the record is another instance of this, where Hemmings is showing Redgrave something that isn't there, showing her the "imagined" beat behind the "real" beat.
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Ever notice how this place just basically, well, sucks.
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