Quote:
Originally Posted by Dr. Eugene Felikson
What exactly is so good about La Dolce Vita? I've never understood it. I hear it praised all the time.
EDIT: serious question
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Don't worry about it. Have you seen Chris Morris' Nathan Barley? There's a scene in it where the hero, a journalist for a style mag, finally sees this empty self congratulating hipster world that he's a part of, for what it is. He then announces that 'the idiots are winning' and has a kind of nervous breakdown. You think he's gonna rebel against it all but he ultimately just joins them. That's pretty much La Dolce Vita's message.
And in a way, that's why La Dolce Vita, more than almost any other art movie I can think of, has endured so well. Marcello Mastroianni's character remains a kind of contemporary archetype: relateable to anyone who's ever found themselves in a scene they think is drowning their true potential but who lacks the drive or sense of purpose to move beyond it. It's two and a half hours of someone on SYG announcing that this place is a waste of time and that they're leaving, only to come back a week later feeling a little bit disgusted with themselves. Read el symbols response again and apply it to this place. Almost uncanny. But where's the girl on the beach?
