Wolf of Wall street was p chill

I don't know what this means.

This weekend:

HER
DALLAS BUYERS CLUB
PHILOMENA

Not AMERICAN HUSTLE. I fucking hated SILVER LININGS PLAYBOOK so much, I don't think I can watch this one.

I want to watch 12 YEARS A SLAVE. But then, I don't. Y'know?

I also haven't seen it, I definitely don't want to go to a theater to hear a mix of some people being overly apologetic, some people being just straight hating, several racist motherfuckers to run their mouths saying something totally stupid, and then the obvious knuckleheads that let their emotions get the best of them. I will make it a Netflix thing.. Though I've gotten to a point where I just can't watch depressing shit anymore. Like, I know I shouldn't be avoiding reality, but, I also don't want to spend 2 or 3 hours reliving the horrors of history. I can barely even watch PBS documentaries anymore, especially Frontline.

Yeah, this is my problem.

And I feel very guilty because of it.

I don't want to go through a painful emotional experience, especially since I already understand that slavery wasn't very nice. What am I going to think at the end of the movie? "Aha, I was right. Slavery was awful."

But since my life is extraordinarily privileged (relatively speaking), I'm sure I can sit through a fucking movie. I should be able to watch a horror since I don't live one.

Ah, the guilt.

I cannot watch such things anymore either. As we age I think our ability to handle traumatic imagery becomes less catharsis and more disturbing.

I like the particular way you phrased this. Catharsis is definitely for the young, when you're younger you develop a sense of outrage at the shocking and it must be emptied for the sake of sanity. Anger is a gift, but it can be consuming. As you get older, the experiences of life make empathy more impacting, you truly feel thing like pain, suffering, and death, based on your own perspective of these experiences in your own life. So when you relive these experiences through story-telling of others pains, you don't empty your anger, you just get overwhelmed by your own pains and have a deeper empathy with the pain of others. When I used to see documentaries about war for example, and they show a scene of a bombing, instead of thinking about the logistics, technology, politics, morality, ethics of the situation, all I can see now is the pain of those being bombed, the grief of their loss, and the horror of that reality. It pains me too much to see it now, so I don't watch. Schindler's List was important, glad I watched it when I was young, couldn't touch that shit now. 12 Years a Slave, I feel is even worse! Its not that slavery was necessarily worse than the Holocaust, but it was in the sense that the Holocaust lasted roughly 20 years, slavery in the Americas for over 250 continuous years. That is A LOT of pain.

True. But I'm not sure catharsis is often the point. Usually it's just, "Here's something awful to feel awful about."

It's complicated: I have contempt for anyone who willfully buries their head in the sand. On the other hand, I get it: people have done and continue to do unspeakable things to each other. I get it, I get it, I get it.

ignoring history is one thing. Not watching a fictionalized Hollywood entertainment is another.

Ah, there we go. Thanks.

This is why I could not enjoy Django Unchained. I found it flippant.

I did enjoy Inglorious Basterds a lot though, and I think it is because the entire film is like a Marvel "What if?" story, as opposed to Django which was supposed to occur in our actual past.

I agree completely, I thought Tarantino was pushing his whole "I'm a white guy who is hip with the brothaz" schtick. As a white guy who is more welcome in black communities than white, I can relate BUT I think he just went to far. That movie wasn't just flippant, it was in absolute SHIT taste.


I think that Inglorious did a bit better job of making it serious, particularly the first half with Christopher Waltz's scenes. All the Nazi killing was as in poor taste as was Django BUT, lets be honest, who the fuck ever had a problem with disrespecting the humanity of fucking Nazi fucks? Its why Nazis were the bad guys in all the 1980s/90s violent videogames like Wolfenstein and Soldier of Fortune, NOBODY on earth has a problem with the graphic recreation of killing numerous Nazis. Shit, probably even Jesus Christ Himself and the Blessed Virgin give a soul dap about each virtual killing and joy it induces in us at seeing it.








That is to contrite an analysis. 12 Years A Slave is obviously not necessarily trying to be a weekend block buster, it isn't the feel good buddy cop movie or an action packed thrillfest. It is a shockingly real portrayal of challenging history, and in particular, challenging history which the overwhelming majority of humans only THINK they know all about, but from my experience 99% of even sympathetic people have quite literally NO FUCKING IDEA WHAT REALLY HAPPENED (black, white, brown alike). This movie is crucial for that. I think A LOT of people need to be confronted with this reality they weren't as intimately familiar with. ALL the black folks I've talked with about this flick are extremely thankful and appreciative about its release, its being considered the most important black made movie about slavery since Roots. Roots is crucial. There is a reason we all watched it back in middle or high school history class because its easy to minimize or trivialize or compartmentalize bad history when reading about facts, dates, names, and figures. When you witness a dramatic narrative recreating that history, it becomes realer in a way that reading or imagining simply can't. So I think everybody who doesn't haunt the "Black reading list" section (or as my sister calls my bookshelf "Blackrypha") of their book store should definitely watch this flick. Me? I think its safe to say I'm a bit familiarized with the actual history of slavery, having a degree in African studies and spent the entirety of my college career researching and writing about these histories through primary source material. For me, I can't watch this movie not because of it itself, but because of all the tangential memories that it will induce. In my mind, a collage of ALL the material I've read, seen, and experienced will come to light. It won't be cathartic, but overwhelming.

it is still a fictionalized piece of drama entertainment.

Schindler's List was too, and the shit that went down in WWII was a billion times worse than any 3 hour movie can begin to show.

I think it is more important to learn from those things to watch out that they do not happen again, or if they are happening now, to spot it and STOP IT.

True, but that is like saying every book, piece of art, or music is "just a piece of fictionalized entertainment." Artists create art for many reasons simultaneously. This film was clearly written, produced, and made to be informative, emotive, and revelatory rather then merely entertaining. After all, its not really all that entertaining is it?


Spielburg made that as a kind of personal experience to connect with his own Jewish history and share it. I also think it was a beautiful film which demonstrated how even in the most inhuman of circumstances, we see the true Light of the goodness in human beings. It was a crucial movie that humanized the Holocaust experience in a way a documentary couldn't. People can again compartmentalize documentary films and personal accounts, but the medium of the dramatic narrative is powerfully compelling. Human beings are story tellers, and we learn through stories. I can't tell you how many black people felt like they learned something deep about their own history through Roots. Its one thing to talk about slavery, its another to recreate the experience through storytelling. People have to as it were "jump into character" even if they don't want too.. That is why Schindler's List is crucial, and why 12 Years A Slave needed to be made. That being said, a lot of people truly at the core of their being NEED to watch these movies. I am not one of them though I have, and with 12 Years a Slave more than likely will.


I think that is too simplistic. We can't necessarily just "stop" the bad aspects of the human experience through a conscious awareness. Rather, I think whether watching these movies or just studying the history, that folks need to empathize with this history in the experiential sense. They need to engage with it deeply, to experience it, not just know it. Knowledge is worthless if it doesn't cause growth and maturation. Sometimes people just need to feel what has happened or is happening without necessarily any intent to change their actions. The heart is where real life exists, not just the outside world. So even if folks can't change the world, the least and indeed most they can do is change their own heart.

I've watched 12 Years a Slave last night.

What Nefeli, Stu and T&B said. Cried a lot while watching the movie.

Excellent it proves you're truly human unlike other imposters out there, glad to know :)

I have not seen 12 Years a Slave yet. I'm enjoying reading the discussion on here that the mention of the film has inspired, and the comparisons being made between this film and "Schindler's List". I also find the discussion of a film's topic affects us any differently if the film is a fictionalized narrative, or a documentary. Which reminded me that there is documentary on The Holocaust called "Memory of the Camps" in which the filmmaker received advisement from none other than Alfred Hitchcock. Hitchcock himself didn't produce or do any technical work on the film but as is the way this film has been described as "Hitchcock's Holocaust Documentary", which I think is misleading.

http://www.openculture.com/2014/01/m...hitchcock.html

There is the link on the story if anyone is interested.

watch 2 summer blockbusters this week

MAN OF STEEL - a piece of shit. it was like watching mortal kombat. ridiculous cgi fights. all-around stupid shit. good cast but hammy direction. bloated. didn't like it.

THE WOLVERINE - what a difference from that superman lamo. this one was fun. yes, a little predictable, etc, it's a fucking superhero movie for fucks sakes, but it was done right. really liked it. bonus: the main girl non-mutant girl was really pretty (google tao okamoto and see).

So long as they didn't hype any shower scenes

Right - off to bed with you with no dinner!

I remember when Schindler's List came out, Time Magazine (I think) did a poll. I forget the exact numbers, but they were scary. A sliver though the Holocaust didn't happen at all, a larger group thought the number was exaggerated, and about a fourth simply didn't know about the Holocaust at all.

20 years later, I'm guessing the numbers would be different, and that's in large part thanks to Schindler's List.

However:

I strongly feel there have been too many "Holocaust" films in the intervening years, and this has "desensitized" many people's response to the event. Academics are calling this "Holocaust Fatigue."

Which is why the otherwise decent demonrail666 thought it was okay to make a sick, neg-rep worthy pun at the expense of victims.

I wonder what would happen if for the next decade or so there were a bunch of "slavery" films released every year? Soon enough, I bet it'd become a punchline.

You tell the truth.

i don't think the holocaust is funny at all but demonio's joke made me laugh though-- because it was about hitchcock.

DON'T YOU EVER FUCKING DISS MORTAL KOMBAT LIKE THAT AGAIN!


No, THIS is the ONLY true Wolverine, period.

10/10

Loved it.

The Necromancer (1988)



Not exactly good, but has a kind of charm to it

i would never have gone with it by its title, but caught silver linings playbook on a hotel tv (amazing, all those channels, nothing to watch but commercials).

ANYWAY-- pretty good. then i realized it was fucking david o. russell who directed. he's pretty great-- not the best ever but yes. good.

Senor demonrail's zinger made me groan audibly over here (hence my reply), but he certainly isn't the second coming of Richard Edmonds or what have you. In fact, if anyone went up to him offline with Holocaust "jokes" ahoy, he'd whack them upside the head with the nearest heavy book to hand, then tell them to fuck off. Hope that maked things clear to all you SYG-ers.

(Incidentally, I hear tell that demonrail's currently heavily at work on the definitve bigoraphy of the late film critic/lecturer/all-round "character" Ray Durgant. Apparently he's up to the bit where Durgant punches out Mick Farren at the UFO Club in 1967, after Farren tried to steal Durgant's girlfriend under the pretext of having her "produce the second Deviants album". And this after Durgnat had helped himself to Syd Barrett's rider (a barrel of Watney's Party Seven bitter and packet of Salt 'N' Shake crisps), and tried to drag the resident UFO DJ away from his booth, after said DJ played The Yardbirds' "Ha Ha Said The Clown". More details as I find out about them!)

This was much better than I was expecting - the plot moves along very well, there's some very funny moments along the way, and Di Caprio has a fair bit of presence in this. My only quibble is the lack of a solidly strong female role here (Di Caprio's 2nd wife begins to get there towards the end, but a lot more could have been done with her), but otherwise this is a solid effort from Scorsese. Didn't realise how long it was going to be, though!

A Serious Man (by the Coen Brothers)

I enjoyed it.

your reply was funny too-- but his comment was funnier. i'm still laughing about it. it was the only possible context to say that, and the joke works (for me anyway).

Inside Llywen Davis, a lot of really likable characters, sad but touching

Much better than Stallone's Dredd. I thought it captured a lot of what the comic was. hyper violent.

Two cinema visits for me yesterday - first up was this:




As other SYG-ers have already said, this is a powerful, outstanding and very affecting film. Not as relentlessly violent as I thought it might be, but still with plenty of uncomfortable scenes on offer, and a film that leaves you with much to think about. I really want to see more Steve McQueen films on the strength of this.

And the second cinema visit up was for this:



Basically a rehash of the themes and ideas already covered by "The Blair Witch Project" and "The Last Broadcast". Shot on digital video, and with an all-amateur cast, this was a deeply predictable and disappointing film, though it did have a couple of entertaining moments to break up the boredom. Not one I would recommend to followers of horror film, unless you're a fan of the barrel-scraping end of Jesus Franco's oeuvre.

oh, watch PAPILLON



:D

^^^ :D (boom tish etc)